That’s not to say that I think comics are an easy ride. They’re an artform all their own, with their own narrative conventions and difficulties. But I think comics are appealing to people who’ve been put off text-only books, because they have a certain frisson of “forbidden”, due to the fact that so many adults still think they’re not “proper” books. The best way to win round a reluctant reader, in my opinion, is to tell someone something is dangerous or bad for them. That’s Kit’s experience too in The Dragon in the Library – she discovers that books can be dangerous, which obviously makes them more appealing. Another route is to find something the person is very interested in, and use books as a way to get them that information, rather than pushing reading as an activity – it’s more a means to an end, so you don’t have to self-identify as a reader to enjoy it.



3) Nosy Crow seem to be producing some stunning middle grade fiction at the moment. How different was the fiction writing process to putting together non-fiction titles?

Very different in some ways – for example, I didn’t sit down and research for ages first. That said, I have spent my life “researching” for this book – by reading other fiction, and mythology, about dragons, wizards and magic. So perhaps it’s not all that different on that score. The way in which it’s similar is the fact that, when writing about magic, you have to have a system – just like, when you’re writing about, say, science, you have to represent the pre-existing body of knowledge. With magic, you have to check you’re being consistent, which is quite a lot like fact-checking, or checking you’ve written dinosaur names all according to the same rules (capitalize the T if T rex but not the r!)


4) Talk us through your writing process a bit. I find it really difficult to get started with the actual ‘writing bit’ of stories, despite having a few good ideas. Any tips?

I tend to talk the idea through with my wife, first, with a lot of “ooh, what if…”. That helps me get the ball rolling and feel like I have momentum. Then I start drawing diagrams – usually spider diagrams, with all the random parts of the idea sprawled all over the place. I sometimes dig down into minutiae there – and get stuck into the worldbuilding in general, before I work out the plot. It’s usually worldbuilding first, then character and plot for me. What I love about stories is the universe of them, as well as what actually happens. It feels like every world you create could have a thousand stories happen there, so the next step is narrowing down which one it should be (or at least which one it should be first). With the Dragon in the Library, I suppose that came from reality – libraries being closed down in the UK, and the real life consequences of that. Then I thought about how that could be transposed into magical consequences. In terms of the actual writing, it’s mostly about routine – having set days/times I write, and a place I go to. Usually Costa on the high street. I don’t like writing in arty cafes, as I feel too self-conscious, like it’s a performance. So my favourite places to write are quiet chain cafes, with a fairly rigid soundtrack of music – often a computer game or film soundtrack.



5) What is your favourite episode of “Buffy the Vampire Slayer” ? (This was an extremely cruel question - I make no apologies - Ed.)

This is an almost impossible question to answer. How can I play favourites? Hmmm. OK. Aside from obvious one like Hush and Once More with Feeling, I am very fond of Tabula Rasa – where they all forget who they are and have to construct their identities from scratch. It’s actually a game I used to play with myself as a kid: how much of my life would I be able to work out if I lost my memory, just by looking at my things? I also love Buffy vs Dracula, as I feel it sums up the heart of Buffy in many ways – it’s a show that takes pop culture, and especially horror, tropes and subverts them. I love that she defeats Dracula explicitly by being familiar with his genre rules: “You think I don’t watch your movies? You always come back…” That’s also the line I probably quote the most. Especially when thinking about politicans like Boris Johnson…


Now for C's devilishly difficult questions



1) What’s the best thing about being a writer?

Meeting readers. I love doing events and talking about stories and ideas with enthusiastic people. It’s that, and having the original ideas. I love ideas. I’m less keen on sitting down for hours and writing them down, but apparently you have to do that bit to meet the job description of “writer”. One day I’d love to be able to just dictate them to a robot butler.


2) Are you going to write any more books about space? We loved seeing your space talk when you came to our home town!

I would love to! I’ve written a book for VERY young children about going to the Moon that’s coming out this July (in time for the anniversary) but I also have another one up my sleeve, watch this space. (Sorry. I am so sorry.)


3) Dragons aside, if you didn’t already have the world’s cutest dog at home (Buffy!) what would be your ideal pet - mythical or real-world?

I'd choose a pegasus, because then I could fly around on it like Valkyrie. And pegasus could poo on my enemies from above. (We love the way you think - Ed.)



4) What books did you enjoy when you were little?

I loved the Just William books – short stories about a boy who lived in the countryside and apparently never went to school – he just got into trouble. They were hilarious. Then Lord of the Rings was a favourite when I was a bit older. I loved the world of it and the fact that it was so complex. I also loved anything about an apocalypse. There was a book called Empty World that I loved, where all the adults die and children roam around trying to survive. Oh, and one where a guy kidnaps some children on a nuclear-powered spaceship but he dies of radiation sickness and the kids have to survive on their own. (I promise I didn’t actually want all the adults to die in real life… it was just a way of exploring what it meant to be on your own and making your own choices.)



5) What’s your favourite film of all time?

I have two. One’s called Labyrinth, about a goblin king (played by David Bowie) who steals babies, which in turn is (I think) based on a book I loved when I was little called Outside Over there by Maurice Sendak. 

I love stories that come from other stories, or have relationships with other stories. I’ve been working on a novel about a similar scenario, but with a very different baby stealing supernatural ruler…more on that another time!

Such great answers (and yep, Labyrinth is way up there amongst our faves too, great choice!) - Our huge thanks once again to Louie for submitting herself to our steely questions.  Don't forget to hop along to the https://nosycrow.com website for more amazing kidlit!

What makes the Secret Diaries series different?

Well, for a start, I have to mention the design and Jamie Littler’s illustrations. I think he was signed up for the series even before I was. He has the unenviable task of:

1. working with me. (I can be a stickler for detail AND get my beard hairs everywhere.)

2. having to draw funny, exciting pictures whilst:

3. having to be historically accurate, not just ‘no potatoes in the medieval kitchens’ or ‘no forks at the medieval table’ but also just the right kind of uniform a particular maid might wear or the shape of a window in the background. This is the National Trust we’re talking about! We need to get things spot on.

The other BIG difference with the Secret Diaries series is just how funny they are – I hope! *Tumbleweed rolls past* *No one even cracks a smile* -- yet how fact-packed and hopefully exciting they are too. That’s why I came up with the patch on the front of each book which reads: ONLY THE FACTS ARE TRUE! (which is, in itself, a very silly thing to say). Each diary is written in a voice a touch/a tad/a tiny bit how the character might have spoken in those days, but with a comic twist. I had enormous fun writing them, combining two of my greatest loves: comedy and humour (but not my third love: cake).



Could you give us your Top Five Favourite Medieval Facts you either used in the Secret Diary of John Drawbridge, or discovered when researching the book.

1. It was good manners to burp and throw bones on the floor during a banquet. (I bet the dogs were pleased about that.)

2. Willy-bum-poo style swearing and humour was perfectly acceptable in polite society – in a way it wouldn’t be today. *Shocked silence!* -- but blasphemy – “Oh God!” and the like -- was taken MUCH more seriously.

3. Ammunition for trebuchet – giant catapults – included everything from rocks and animal poo to dead horses. Anything to upset the enemy!

4. Even children drank beer. It was weaker than the usual stuff and called ‘small beer’ but it was still beer… and much less horrible than water.

5. Castle moats were usually full of – er – stuff which fell from the garderobes (the castle toilets). Yerch. Might I suggest no swimming?



So, er, on that note we’ll leave you with the most excellent news that The Secret Diary of John Drawbridge, Medieval Knight in Training is out now, and The Secret Diary of Jane Pinny, Victorian House Maid and Accidental Detective, will be published on 7th September. Exciting stuff!



Illustrations © Jamie Littler 2017